resurrection

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Fyodor Dostoevsky

Fyodor Dostoevsky

(1821–1881)

Fyodor Mikhailovich Dostoevsky (1821-1881) was a Russian novelist whose work probes faith, suffering, freedom, and guilt with a depth few writers have matched. Trained as a military engineer in St. Petersburg, he turned to literature in his twenties, and a death sentence for revolutionary activity, commuted at the last moment to Siberian exile, marked him permanently. He emerged from four years of prison and years more of enforced military service a changed writer, one who had stared at his own execution and returned to ask what a human life, once spared, owes to others. His major novels, among them Crime and Punishment, The Idiot, Demons, and The Brothers Karamazov, stage philosophy as lived crisis rather than abstract argument. Characters murder, doubt, confess, and rebel, and Dostoevsky lets their reasoning run to its full conclusion before testing it against conscience. He wrote for serialized journals under constant financial pressure, supporting a household through gambling debts and illness, and still produced sentences that interrogate free will, suffering, and the possibility of God with an intensity that philosophy departments have never stopped reading. That intensity drew on personal loss as well as literary conviction. In 1868, grief over the death of his infant daughter Sofya surfaces in his letters in the image of the cross, a measure of how far private suffering pressed against the edges of his faith rather than a settled answer to it. The Brothers Karamazov carries that preoccupation with suffering and responsibility into its fullest statement of theology. Through the dying monk Zosima, Dostoevsky teaches that each person must recognize himself as guilty before all people, on behalf of all and for all, for every human sin, and that only there does unity become possible. The claim describes redemption as shared labor rather than a transaction completed by one party for passive others, a position with some resonance to what Mormon theology calls participatory atonement, though Dostoevsky’s own framework stayed rooted in Orthodox asceticism and submission rather than in human beings as co-creators with the divine. His recurring argument, that freedom without love collapses into nihilism, remains relevant to any account of human improvement, religious or technological, that separates moral transformation from compassion.

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Videos (4)

How to Bring Eduardo Back to Life
19:45

Giulio Prisco

How to Bring Eduardo Back to Life

Giulio Prisco explores the speculative physics and technology that might one day enable the resurrection of the dead, using his ancestor Eduardo Scarpeta as a personal example. Drawing on concepts from string theory, higher-dimensional physics, and the film Interstellar, he imagines future beings with access to the fourth spatial dimension who could scan information from the past and restore individuals to life. Prisco frames technological resurrection not as imminent but as a far-future possibility—one that invites hope rather than passive waiting, much like early science fiction inspired the eventual reality of space travel.

An Alternative to Quantum Archaeology in Resurrecting the Dead
16:33

Mike Perry

An Alternative to Quantum Archaeology in Resurrecting the Dead

Mike Perry, a longtime cryonicist and author of Forever for All, proposes “parallel recreation” as an alternative to quantum archaeology for resurrecting the dead. While quantum archaeology attempts to retrodict the exact positions of atoms throughout history—an approach Perry finds implausible given quantum uncertainty—his method accepts some loss of historical information while still achieving meaningful resurrection through “informed guesswork.” Drawing on multiverse theory and an informational view of reality where identical copies are distributed across infinite universes, Perry argues that recreating persons consistent with surviving historical records would yield authentic versions of those who once lived. He views cryonics as the preferable path, allowing one to be a benefactor in future resurrection efforts rather than merely a beneficiary.

The Consolation: An Adaptation of the King Follett Sermon of Joseph Smith
39:51

Lincoln Cannon

The Consolation: An Adaptation of the King Follett Sermon of Joseph Smith

Lincoln Cannon adapts Joseph Smith’s King Follett Sermon for a transhumanist age, offering consolation to those mourning the loss of loved ones. He argues that God was once as we are now and became posthuman through the same creative process we ourselves may follow. Information, like matter and energy, is eternal and cannot be created from nothing or annihilated—our dead persist in the causal fabric of reality, awaiting resurrection through the work of compassionate creators. Cannon calls for a synthesis of ritual and engineering: sacraments without technology are impotent, while technology without meaning is empty.

Christian Atheist Universal Immortalism
13:39

Mike Perry

Christian Atheist Universal Immortalism

Mike Perry presents “Christian Atheist Universal Immortalism,” a philosophy combining the ethical framework of Christianity—enlightened brotherly love—with the belief that death can be overcome through scientific means rather than supernatural intervention. Perry argues that while Christian atheism provides a satisfying moral framework, it remains “deathist” in its acceptance of mortality; universal immortalism adds the commitment that all sentient beings should eventually gain salvation and eternal life through technological means such as cryonics. He views Jesus as a pioneer transhumanist immortalist whose command to “heal the sick and raise the dead” should be taken literally as our technology advances, and proposes that resurrection may be achieved through his “minibodies” theory rather than quantum archaeology, acknowledging that information may be irretrievably lost but that multiple authentic timelines could still be realized.